Hi folks, I hope everything is going well. Here’s a workout to develop your left hand reading the exercises 1 to 8 of the Ted Reed’s Syncopation, something that will keep you busy during this period. The exercise must be played in cut time: left-hand plays accents and right-hand fill-ins with ghost notes. Feel free … More Left Hand Workout
Hi folks, in the previous months I shared some exercises using the book Stick Control by G. L. Stone to play different accent combinations (single, double, and triple) on the famous pages Single Beat Combinations. Now all of these combinations, the first 12 exercises of the Stick Control, are available for free in one printable … More Stick Control – Accent Workout
Hi folks, in this last lesson of the series “Stick Control Accents” I introduce the three accents combinations as shown in the preview image below. As discussed in the previous lessons remember to play the exercises with different dynamics, this is a workout that needs some technical skills: moeller technique, rebound and an ability to … More Stick Control – Triple Accent Combinations
Here’s the part two of the Stick Control Workout with accents. In the previous lesson, I introduced the single accent (in case you’ve missed, be sure to check out) now the things become more complicated adding two accents, as shown in the figure below. As discussed in the book Master Studies by Joe Morello, you … More Stick Control Workout – Double Accent
If you want to work on 16th note accents Stick Control by G. L. Stone, as always, is a good way to develop this skill. As you know pages 5 to 7 of the book have no accents, the first part of this series of lessons refers to the single accent combinations. This is a … More Stick Control Workout – Single Accent Combinations
Here’s another exercise based on George Lawrence Stone teachings. The following workout is designed to build endurance, speed, and accuracy between your hands… a daily work routine useful to warm up before a gig or a studio session. In addition, put the accents on the downbeat or on the upbeat of every beat.
In the previous lesson. I shared some exercises to master quintuplets. In this second lesson, I show you a system to play and interpret the exercises of Ted Reed’s Syncopation (pages 38 to 45) using quintuplets with an alternate sticking (RLRLR | LRLRL). What we’ll do is to read the pages of Reed’s Syncopation playing the … More Quintuplets Lesson Part 2
Here’s the first part of a series of lessons on sixteenth-note quintuplets, a group of five notes in the space of a quarter note. Before you start, a good warm-up is to play the quintuplets with an alternate sticking (RLRLR – LRLRL) without accents, bass drum on quarter notes, and then play the first section of the … More Quintuplets Lesson Part 1