Ted Reed’s Syncopation – Jazz Interpretation (hi-hat in quarter note triplets)

Here’s an advanced Ted Reed’s Syncopation interpretation useful to develop your independence. It consists of playing long notes on the bass drum and short notes on the snare drum, with the right-hand jazz ride pattern and the left-foot hi-hat in quarter note triplets (starting on the triplet’s second 8th note). The initial measure of the first exercise … More Ted Reed’s Syncopation – Jazz Interpretation (hi-hat in quarter note triplets)

Stick Control Revisited: Drumset Application

Last month, I shared a short video featuring some hand/foot combinations using the Stick Control book. This application, inspired by Alan Dawson’s method, consists of the first 12 exercises of the “Single Beat Combinations” (you can also use the rest of the exercises, from pages 5 to 7) applied on the drumset in this way: The exercise … More Stick Control Revisited: Drumset Application

Hand/Foot Combinations

In this video, I play some hand/foot combinations using Stick Control by George L. Stone, an application inspired by the John Ramsay book The Drummer’s Complete Vocabulary As Taught by Alan Dawson. Next month I will post a series of exercises about these combinations. Stay tuned!

Afro-Cuban 6/8 Counter-Rhythms Using Ted Reed’s Syncopation

Ted Reed’s Progressive Steps to Syncopation is a great resource for studying different drum aspects: stickings, linear phrasing, coordination, independence, and music styles. There are many interpretations and the possibilities are endless. Exploring Afro-Cuban 6/8 by moving the left hand around the kit to create syncopated rhythms is a great way to enhance your coordination … More Afro-Cuban 6/8 Counter-Rhythms Using Ted Reed’s Syncopation