Rhythmic Patterns: 3-Note Combinations

In the first lesson of this new series, we’ll explore groups of 3 notes using various combinations around the drumset. I created the following 44 combinations to involve a linear approach (no unisons) between the snare, bass drum, hi-hat, and toms. These combinations are written in 16th notes but could be conceived and played in 8th notes, 8th-note triplets, or 32nd notes. Start by focusing on a single patternβ€”play and repeat it several times until you feel comfortable, then move on to the next one.

An essential aspect to consider is the sticking, which is alternated for all these patterns. However, variations are possible when they better suit the phrasing. For example, in patterns 1 and 9, you might use an RLL sticking or even a one-handed approach for most snare-bass drum combinations. Feel free to experiment with different stickings that work best for your playing.

rhythmic patterns 3-beat combinations
3-Note Combinations

Next, we’ll apply the pattern in a musical context, alternating three bars of groove and one of drum fill. We’ll play the pattern first in a 16th-note subdivision, then 16th-note triplets and 8th-note triplets subdivisions. In the first case, the pattern is repeated and displaced over the beat. In the beginning, it’s essential to practice with the metronome and understand how the displacement occurs over the beat, counting quarter notes if necessary. To maximize your practice session, I suggest focusing on one pattern at a time, applying it in various styles and at different tempos.

rhythmic patterns 3-beat combinations exercise
Drumset Application: Pattern #2

The last part is an advanced idea for every drummer who wants to explore more. We’ll add diddles playing 32nd notes with a series of seven combinations, as shown in the image below. The same concept can be adapted to add flams, ruffs, or accents, representing an endless resource to develop your phrasing and drumming vocabulary.

rhythmic patterns 3-beat combinations diddles
Adding Diddles: Pattern #2

In the end, experiment with mixing different patterns in both groove and solo settings. For example, alternating patterns 25 and 26β€”the combinations are endless. All the exercises of this lesson are available in a printable PDF file.

DOWNLOAD THE PDF

To improve your practice of these patterns, check out my drum playlists on Spotify and YouTube. Elevate your drumming!


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