Francis' Drumming Blog

Cheryl Lynn’s “Got To Be Real” is a timeless disco anthem that has captivated audiences since its release in 1978. It was co-written with David Paich of Toto and David Foster. The song earned a Grammy nomination in 1979, and in 2005 it was inducted into the Dance Music Hall of Fame. The powerful vocals, recognizable funky guitar riffs, infectious grooves, and dynamic instrumentation have made it an enduring classic. It continues to hold its position as a staple on dance floors across the globe, evoking a sense of joy and nostalgia. Since its release, the song transcended its initial role as a lively party anthem, blossoming into a powerful symbol of self-acceptance and unwavering pride in one’s authentic identity, no matter what anyone else says.
The drumming performance by the renowned James Gadson injected the song with his signature style and contributed to its lasting success. This article examines Gadson’s drumming on “Got To Be Real” analyzing his playing and introducing the complete drum transcription.

James Gadson

James Gadson is an acclaimed drummer who has left an indelible mark on the music industry. Born on June 17, 1939, in Kansas City, Missouri, Gadson’s musical journey began at a young age. He honed his skills by playing in various local bands, gaining invaluable experience and a reputation for exceptional talent.

Gadson’s breakthrough came in the 1970s when he relocated to Los Angeles and became one of the most sought-after session drummers. Renowned for his impeccable sense of groove and musicality, he quickly made a name for himself in the industry. His ability to seamlessly adapt to various genres, including soul, funk, R&B, and pop, solidified his position as a versatile and highly respected drummer position.

Gadson has worked with an impressive roster of legendary artists throughout his illustrious career, leaving his distinctive mark on numerous iconic recordings. He collaborated with notable musicians such as Bill Withers, Marvin Gaye, Ray Charles, Herbie Hancock, and Aretha Franklin, among many others. Gadson’s drumming can be heard on timeless hits, contributing to 300 gold records.

What sets Gadson apart is his technical prowess and ability to infuse every performance with a unique blend of energy and finesse. His drumming style is characterized by a deep pocket, infectious grooves, and tasteful fills that perfectly complement the music.
Beyond his studio work, Gadson has also significantly contributed to live performances. He has toured extensively with artists such as Paul McCartney, George Duke, B.B. King, and Beck, captivating audiences around the world with his electrifying drumming skills.

The Groove

Right from the opening bars, James Gadson establishes a solid foundation that drives the entire song. The main groove features a bass drum pattern that creates an iconic funky clave. The drums and bass create a tight and irresistible pocket that propels the song forward. Gadson’s precise and rhythmic hi-hat work adds a shimmering quality. The 8th note hi-hat part is executed smoothly without accents and embellished with two 16th notes on the upbeat of the fourth beat in the first measure.

Gadson incorporates some variations, opening the hi-hat at the end of four, adding a 16th note bass drum note figure on the second measure, and playing a classic disco groove in the chorus section.
While maintaining a steady groove, Gadson elevates the track with simple and musical fills. His well-placed fills serve as punctuation marks, creating moments of anticipation and release within the song. Gadson’s ability to seamlessly integrate these fills without overpowering the groove is a testament to his musical sensibility and skill as a drummer.

Got To Be Real (Full Drum Transcription)

To study and understand in depth Gadson’s drumming, the complete drum transcription for “Got To Be Real” is now available for purchase. That’s a song every drummer should know, play, and master. Elevate your drumming!

More about James Gadson: https://www.drummerworld.com/drummers/James_Gadson.html